Canon Features

Canon imagePROGRAF PRO-1000 Review

Bruce Patterson | Jan 5, 2016

I've always been an advocate for the print; my favourite images are never quite finished, until I make a large print. I currently own several printers; among them are the Canon Pixma Pro-1 desktop printer for everything up to 13” wide, and a Canon imagePROGRAF iPF6400 for everything up to 24” wide. The Canon imagePROGRAF Pro-1000 will replace the Canon Pixma Pro-1.

If you have followed my blog and read my review of both the Canon Pixma Pro-1 and my Canon imagePROGRAF iPF6400, then it is no surprise that I am a perfectionist with a passion for the perfect image; it’s what keeps me out there perfecting my craft and drives my passion for the print. As a master printer, I used to have to spend countless hours pouring over printed images looking for ways to squeeze every ounce of colour gamut out of which ever printer I was using; that all changed when I switched to my Canon iPF6400, then added my Canon Pixma Pro-1, and now the imagePROGRAF PRO-1000 will replace my Canon Pixma PRO-1 for everything up to 17" wide.

Full disclosure: My introduction to the Canon line-up of printers came after my being named the very first Canon Canada ambassador, or Canon Northern Explorer of Light, some four years ago. I had been using another popular brand of LFPs (Large Format Printers) until that time. I had invested so much time figuring-out workarounds for all of their shortcomings, I was foolishly reluctant to change; Each return to the studio was almost dreaded, as I knew it might be hours before I could start printing while waiting for cleaning cycles and head alignments. Those days are all in the past, and my experience with both of my beloved Canon printers has been nothing but a delight. Although Canon has, and does, continue to sponsor me as a Northern Explorer of Light, I am under no contractual obligation to try to sell you anything. I am simply sharing my experience and making a personal recommendation to help you avoid the frustration of choosing the right printer, and avoiding the frustration of choosing the wrong one (because, after all, I had already done that to start with - smile). This is an updated testament to the printer(s) I choose for my print production.

What is it: Canon’s latest and greatest addition to their already impressive printer line-up is the imagePROGRAF Pro-1000. I was excited to put it to the test and offer my thoughts on this new model aimed at the serious amateur, semi-professional and professional photographers who produce professional quality colour and monochrome photographs up to 17" wide.

Initial impression: The Canon imagePROGRAF Pro-1000 printer arrived and I couldn't wait to give it a try; The printer looks impressive and sports a new thin red line, which was traditionally only seen on L-series lenses and reflects their top-of-the-line quality. I was pleased to see an LCD display on the control panel; it was missed on my Pixma Pro-1. Set-up and instillation was fast and easy; remove the packaging and security tape, install the print head, then installing the new (larger) ink tanks was a breeze, thanks to the new ink tank configuration along the bottom front of the printer. One important observation was the inclusion of a full set of full 80ml inks; an important consideration while reflecting on the cost of upgrade (printers usually ship with only enough ink to prime the ink lines, the print head, preform set-up functions like head alignment and then only make a few prints. You usually never get more than half-full ink tanks).

As is typically the case with all of my reviews, I won't be listing all of the technical specs which can be found on the Canon website here. In a nutshell, the Canon imagePROGRAF Pro-1000 features a new design with all new specs here’s what is important to me:

NEW print head, Lucia Pro inks and image processor: The imagePROGRAF Pro-1000 combines a new print head, new inks and a new processor to achieve the highest quality prints, without compromise in performance or productivity. The new 80ml LUCIA PRO inks developed for the imagePROGRAF Pro-1000 enable photographers to reproduce their images accurately in print. The wide dynamic range of colours allow for a high colour gamut (up to 19 percent larger than the PIXMA PRO-1 printer) and rich expression of detail in darker areas, with outstanding image permanence. The Chroma Optimizer ink helps achieve uniform glossiness when printing on glossy paper. By being applied over the printed image to cover the bumps between the ink droplets, Chroma Optimizer regulates the surface reflection to deliver natural colour reproduction in the finished print. This creates images with deep black density and prevents unwanted bronzing (scratch resistant). The new print head design (50% larger than the Pixma PRO-1) utilizes a sophisticated real-time ink ejection system which helps to maintain a consistent print head temperature allowing for consistent ink droplets to help limit clogs and reduce cleaning cycles and wasted ink. The new print head helps to further reduce the amount of wasted ink through anti-clogging technologies where ink ejection conditions are precisely checked with sensors, and if a clog is detected, another nozzle automatically provides backup. The new image processor provides optimal control of the printer, maintaining high-speed, accuracy and high-resolution printing while maintaining the balance of inks and the precise placement of ink droplets, carefully calculating best results for each print mode and media using various factors including colour reproduction, tonal gradations, black density, graininess, glossiness, anti-bronzing and elimination of metamerism.”

NEW Larger Print Size: "Enjoy the ability to print striking images up to A2 (and 17” x 22”) without compromising quality. Take advantage of our fast print speeds and colour collaboration: with a plethora of media types supported from gloss, matte, fine art papers and canvas, you’ll get the look and feel you desire."

NEW The PRO-1000 Is the only Canon desktop printer which incorporates the vacuum platen (formerly reserved only for Large Format Printers), it feeds paper with air suction, keeping the paper flat and preventing ‘floating’ and ‘edge-curl’ during the feeding / printing process allowing borderless printing on fine art papers.

NEW Software: Print Studio Pro v 2.0 works with Adobe Photoshop and Lightroom, and Canon’s Digital Photo Professional. "With 16-bit processing capabilities, fine details are dramatically improved, gradations are smooth and a highly accurate reproduction of the original captured image can be reproduced. Improving on the existing Print Studio Pro plug-in, the imagePROGRAF Pro-1000 utilises the updated version 2.0.0. This features a new screen layout that makes it easier for you to adjust the printer, paper, layout and colour settings to help deliver the best quality prints. You can create favourite settings that you feel comfortable with, and come back to them time and time again. Colour management is easier than ever, with a simple box to allow ICC profile selection, rendering intent and a brand new feature to enable soft proofing."

In conclusion: After set-up, I deliberately chose to print a colour image with a lot dark colours and tones; an image I knew could test the limits, and one that could really prove if the new Canon imagePROGRAF Pro-1000 was capable of producing prints which can stand above it’s predecessor. I was immediately blown-away by the remarkable difference in colour depth and accuracy; all of the dark areas immediately opened-up and, though subtle, the difference in print quality very quickly had me making new prints of lots of older images; every one of them, to a greater, or lesser degree, was different from those I had previously printed; all of them were better.

The new Print Studio Pro V2.0 was easy to use, the printer performed flawlessly and the prints are a testament to its abilities. The hardest part of this review was running-out of sample ink, draining the remaining ink from the lines (to prepare for shipping) and packing the sample printer to send it back to my friends at Canon Canada. I will be placing my order to arrive when my Winter Snowy Owl Workshops finish at the end of February.

Economic Considerations: If you are wondering about the economics of investing in a Canon imagePROGRAF Pro-1000 printer, consider this (very short-sighted approach, since the printer will last for years and make many thousands of prints over it’s life):

Suggested retail price for the PRO-1000 is CAD$1,600.00, but it includes a complete set of 80ml inks which, after set-up, will likely make about 50 17" x 22" prints. If you manage to sell those for more than CAD$32.00 each (plus the cost of paper), then the printer has paid for itself. Now, the first set of inks primed the print head and filled the lines that feed the print head; the second set of inks will set you back CAD$863.88 at full suggested retail, but they will make about twice as many prints … see where I am going here; It makes perfect sense to upgrade, just from the cost/copy and quality standpoint.

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About the Author

Bruce is the owner and principal filmmaker at Cloud Nine Creative - one of North America’s leading wedding cinematography companies - and co-publisher of WedLuxe, Canada’s national luxury wedding magazine. He has taught numerous wedding filmmaking workshops and has spoken in Austin, San Francisco, New Orleans, San Diego, and Detroit.

Bruce and his film crew have been commissioned to film events throughout Canada, the US, Ireland, Mauritius, Manila, and Singapore. His celebrity clientele include: Michael Bublé, Roberto Alomar (MLB), Chris Webber (NBA), Mike Modano (NHL), Mike Cammalleri (NHL), and Sam Gagner (NHL).

WedLuxe magazine has been publishing since 2006 on newsstands across Canada and will be entering the US market nationally. All of the WedLuxe original photoshoots are filmed either conceptually or behind-the-scenes. This accompanying filming of magazine content was one of the first of its kind for magazines across North America when WedLuxe began publishing.

Bruce is recognized as a leader in the wedding filmmaking industry for his pragmatic and results-driven approach to running a wedding videography company.

  • Owner of Cloud Nine Creative (
  • Owner and publisher of WedLuxe Magazine (
  • 2-time honouree of EventDV Magazine’s list of the “Top 25 videographers in the World”
  • Listed by Oceana Magazine as one of the leading men in business in Canada


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